Exposed spines are versatile, attractive, and provide opportunities to enhance the artistic qualities of the book.

Margo Klass is one of my favorite books artsts because of the way she works with wood, the care she takes with detail and bookbinding  principles, and the  Japanese feel of a lot of her work.  I’ve been lucky to have taken three of her classes at the Newport Paper Arts Festival in Newport, Oregon. She is an exceptionally good teacher: patient, well organized, so very talented. She spends her time in Alaska and Maine and makes books as well as altar pieces and box constructions. I’m hoping she will teach at Newport again this April!

I made the book below during her April workshop;  it uses sticks from Maine and wood from Alaska. The text block was created with torn Hannemuhle papers. Attaching the sticks was challenging but practice makes perfect and I managed to complete the book. The closure loops were made from fine leather from a  repurposed woman’s glove and a fossil is embedded in the cover. The tie  is braided waxed linen thread. I love workshops that are a cross between an art class and shop class—love those electric
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 My daughter is a serious surfer and beach lover. The following book was a gift for her. Most items are from the Redwood Coast where she grew up. The covers are redwood, sticks are driftwood from Clam Beach, stones are from Stone Lagoon. This book combines ideas from two workshop of Margo’s. The books I love the most are tactile, made of natural materials, and uusually have a rustic look. This is certainly one of them.


This has been a very busy year because of the number of workshops I’ve taken. I’ve neglected my blog. I’m going to catch up! Next: my 10 days in May at  Ox Bow, Saugatuck, MIchigan

The wedding guest book is finally done. The covers were drilled and sections assembled in California; coptic stitch was sewn in the car (mostly in Nevada on I80); and the headbands, rocks and redwood stick were attached at Horsecreek Ranch in central Nebraska. The bride and groom used the bed of a vintage pickup to display the book—their wedding was at a “farmette” in Colorado—it was perfect. Oh. The bride and groom are both geologists, hence the rocks. I truly loved making this book and have several more in the works. Stay tuned.

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I needed a new book for watercolor and ink so I gutted an old Nancy Drew mystery and put in my own sections of watercolor paper. We had a two hour car trip today so I sewed it as we drove and found a new use for the bright pink lap desk! I needed to pierce holes in the spine of the book so I flipped the desk over the pierced the holes into the padded section of the desk. It worked very well and I love the “stabbing” with this particular book title!

I spent two wonderful afternoons with twelve very creative students. To prepare the pages for the books we spent a bit of time working with acrylic inks on watercolor papers. The intention was to create some kind of background for other artwork that would be added when the book was sewn. Following are just a few of the background papers.

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The covers were cut from faux emu upholstery fabric—a great material because it doesn’t fray or tear.

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The sections were sewn onto the straps with waxed linen or cotton embroidery thread. Some students had experience with the long stitch but the kettle stitch was new to most. They all did a great job on the sewing. Below are some examples of pages that were embellished after the book was sewn as well as a few photos of book closures.

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It’s time for another OLLI book arts course—Cross Structured Bindings. These wonderful books require no glue and the sewing is straightforward. I will teach two stitches that should be in a book artist’s repertoire—the long stitch and the kettle stitch—and we will use acrylic inks to create background designs for our pages. I will be supplying paper for the pages and faux emu upholstery fabric for the covers (see photo above). See the list below for materials to bring to the class.

Carmencho Arrigui adapted the Cross Structured Binding from historical structures. If you are interested in seeing more of this type of book, her website is filled with information.
Out of Binding: http://www.outofbinding.com/00_origin.htm

Details:
Basic Toolkit: cutting board, cutting knife, metal ruler, sharp pencil, bookmaker’s awl, bone folder, wet wipes, sewing cradle (or telephone book), size 18 or 22 Tapestry needle. Materials: 1-3 bottles of FW Acrylic Artist lnks (or similar), lnexpensive 2”-3” flat brushes, 1 inexpensive large round brush, cotton perle embroidery floss (or linen thread).
date ………. Tues/Thurs., July 22-24
time ………. 1-4 p.m.

Twelve students learned the “ins and outs” of a side bound book. Book board was covered to create two hinged covers. Students could choose to make a photo album (with a fold on each page to accommodate the extra dimensions of added photos) or a journal. Everyone used either a Dremel drill or power drill to create the holes for the sewing. There were as many types of sewing thread as people; some chose the basic side stitch and others sewed the hemp stitch. One student used beads on the front. Great results after an afternoon of class!

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Tip for students: Because the back and front look the same, put some type of embellishment on the front. I just finished my book and use this as an example. Happy Booking!

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The making of this book has been a labor of love and one of constant problem solving; I didn’t think things through before starting the book. There is something to be said for that approach— I learned a lot and the book is more interesting because of it.

We have a little cabin in Nebraska and for several years we used an old “farm” table for dining. My husband found in an old barn; most of the red paint was gone and the wood was dry from years of extreme temperatures in that part of the world. I loved thinking about the meals that might have been served on this table when it was a bright color of “barn” red: fried chicken, peas in milk, puffy dinner rolls, lemonade, coleslaw, Jello something, raisin cream pie. When my husband built a new table I couldn’t bear to just toss the old one into the burn pile. We were able to salvage a couple of rectangles cut from the table top and I decided to use these as covers for a Farm Table Book. Straps were in order so I made book cloth from fabric purchased from a quilting fabric shop in nearby Fullerton—see the movie Nebraska and you will know. The orange hemp thread added the rustic look I wanted; it was not fun to work with and needed attention on every step of the sewing. Sections were covered with strips of handmade Nepalese paper. I covered the boards with layers of milk paint and waxed them to give this table new life. A rusty metal “thing” was embedded in the front cover—something from my explorations around our property. At the last minute I added a print from a deconstructed screen printing workshop and photos by daughter, Laurie Evans, taken on a visit to the ranch years ago.

It has been very satisfying to create this book from mostly local materials. I also enjoyed working without a finished product in mind—just letting the materials tell me what to do next. The wood told me to cut slots in it for the straps and that was really a challenge—hand drills and chisels. Next time I may not listen.

This book and seven others of mine are part of OLLI Arts Alive exhibit in Eureka, California on Saturday night, March 1. Come and see the work of over 30 local artists trying to raise funds for OLLI. If we raise $20,000 we will be eligible for $1,000,000 in endowments. We could use your support!

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This Book Is a Star!
This spectacular book, when closed, looks like any other book. But when it is opened, the pages pop out and form a star. This book will have board covers and will be sewn using double needles (beading optional). The double-page spread lends itself to artwork or photos. Variations will contain tunnels or pockets. The basic skills of gluing, folding, measuring and cutting, and long-stitch sewing will be covered. Appropriate for all levels.
Basic tool kit needed: bone folder, sharp pencil, metal ruler, cutting mat, glue stick, sharp scissors, small cutting knife, awl, double-stick tape.
Materials needed: Cardstock – 4 sheets each of colors A, B and C (solid colors); 7 sheets of color D (solid or printed); 2 sheets of pliable, decorative paper; beads for spine decoration; 1.5 yards of linen thread or cotton perle embroidery floss; 24 inches of ribbon.
date ………. Tues. & Thurs., Feb. 4-6
time ………. 1-5 p.m.
fee ………. Members $45/nonmembers $70 (27726)
place ………. Humboldt Bay Aquatic Center, Eureka
instr ………. Michele Olsen

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Stab Binding: Side Bound Book
Stab bindings are formal bindings developed over hundreds of years in Japan, Korea and China. There were variations in the number of holes used, as well as the sewing pattern. Stab-bound books lend themselves to journals, scrapbooks, guest books, and gift books.
Basic tool kit needed: bone folder, sharp pencil, metal ruler, cutting mat, glue stick, sharp scissors, small cutting knife, awl, double-stick tape.
Materials needed: 15 sheets of text-weight paper (i.e. colored copier paper); one sheet strong, pliable cover paper (at least 15” x 15”); lightweight decorative paper (at least 8 1/2” x 11”); several yards sewing material (linen thread, embroidery floss, string, raffia, or ribbon will work) and needle to accommodate choice.
date ………. Thurs., May 1
time ………. 1-4 p.m.
fee ………. Members $55/nonmembers $80 (27727)
place ………. Humboldt Bay Aquatic Center, Eureka
instr ………. Michele Olsen

The last book in the OLLI course Leather Journals is finally finished. It’s mine (instructor) and I know it’s the last one to be completed. I used the leather cover to demonstrate the longstitch sewing of the spine and hadn’t intended to actually complete a journal. I cut the leather from a blue suede jacket (shoes would have been too small) and the beautiful buttonholes were too interesting to ignore. I don’t know what I will use this one for; I usually use a journal for some kind of theme. The journal hasn’t told me what it wants to be yet.

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Workshops by Michele Olsen

Students in the Osher Lifelong Learning Institute (OLLI) classes have finished their books and every single one is wonderful. This is the first sewn structure for almost all of the ten students and they showed extraordinary patience with the needles, 36 inches of waxed linen thread, and tiny little beads that were added to the spine. They all helped each other and laughter was constant. I knew I had an engaged class with I couldn’t get their attention—always a good thing as far as I’m concerned. The covers were goatskin, the endpapers were handmade papers from Nepal, the text papers were Stonehenge printmaking paper. Good Job!

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