So many structures so little time.

I’ve been busy in the studio creating a new book. It features the history and reconstruction of the Long-Graham barn owned by the Northcoast Regional Land Trust in Freshwater, California. I didn’t have a fixed idea of what the book would look like when I started but it has evolved into a vessel containing memorabilia about the history of the barn. It’s a kind of miniature barn. I will be sewing it together with sticks on the spine and the sections contain pockets, foldouts, etc. I love making this kind of book: history, local materials, creative challenges, and s a snapshot in time. For now, here is a sneak preview! I still have time to add more memorabilia. The historical research has been fascinating. I found the 1880 Census records of the Long Family and listed below them were about 15 Chinese immigrants who were there to work on the railroad – I’m assuming the Freshwater Railroad. All Chinese were forced out of Humboldt County in 1885 and my Dutch ancestors arrived in 1890 to jeers and taunts on the Eureka dock; they were in native dress with clogs. The was not a proud moment in our local history.

After sewing it together, I still have time to add memorabilia. Research never ends.

Title Page

Title Page

Photos

Photos

Map of Freshwater

Map of Freshwater

Matchbook Book in a Pocket

Matchbook Book in a Pocket

Straw Paper, Articles from Local Newspapers, Blackberry prints

Straw Paper, Articles from Local Newspapers, Blackberry prints

Redwood Boards from the Original Barn (1910)

Redwood Boards from the Original Barn (1910)

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Lynn Jones, the co-owner of Just My Type Letterpress Paperie, and I have been working on a proposal for a Fall OLLI course. Lynn will teach students to carve their own linoleum blocks and demonstrate the setting of blocks and letterpress type. Workshop participants will use their images and imaginations to produce a collaborative book. The Winterfold structure was designed by book artist Hedi Kyle. Take some time to read about Lynn and her co-owner Siobhan Ayres. They create amazing letterpress art and have impressive backgrounds and produce the beautiful packaging for my favorite Dick & Taylor chocolates. The also have that printmaker sense of humor – note their OPEN sign. You can guess how the CLOSED sign reads. Excited!

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I will be offering a 3-hour class through OLLI (Osher Life Long Learning Institute) during the summer session.

Explore origami structures created by the international book artist Hedi Kyle. The books will all be folded from a single sheet of paper and do not require glue. The instructor will provide all papers, including Humboldt County topographic maps! Structures include the Miura map fold, (Salmon) Fishbone fold, and Bamboo folder. Appropriate for beginners.

Wednesday, July 19, 10 a.m.-1 p.m.

Location; Harry Griffith Hall Room 117

Class #: 31257

LINK TO OLLI ONLINE CATALOG

We will be creating books from single sheets of paper – perfect for the printmaker or artist. We will be discovering the wonderful world of famous book artist, Hedi Kyle. I took a two day workshop with her at the San Francisco Center for the Book ; she is absolutely amazing and a whiz at creating structures that have delighted us for years – like the Flag Book. These might be considered Origami books! Won’t you join us? Use this link for information about tools to bring and resources.

The Bamboo Pocket

The Bamboo Pocket. Can be used as a section in a book.

Diagonal Pocket Fold as Book Cover

Diagonal Pocket Fold as Book Cover

Fishbone Fold as Pages

Fishbone Fold as Pages

Miura Map Fold. Can add book covers.

Miura Map Fold – could add book covers.

 

I was distraught when I realized that I had scheduled a book workshop with Margo Klass at the Newport Paper and Book Arts Festival on the day of the Science March! I have taught or tutored mathematics for over 30 years and know the importance of encouraging young people to love science/mathematics and to support scientific research in the US. My husband is a mathematician who worked with modeling endangered species, my daughter has a degree in applied mathematics and is a web designer, and my son is a mechanical engineer who works on instruments that are sent into space. We have many friends who work tirelessly in the sciences – even my ex-husband was an electrical engineer. We are awash in science!

Margo’s classes are always wonderful and I was eager to learn her techniques and variations for the ancient Tacket Binding. We were asked to pick out one sheet from many gorgeous printed Italian papers and to use it to inspire the artistic decisions regarding our book. Ha! There on the table was a beautiful sheet of paper printed with color wheels and historical diagrams used by Sir Isaac Newton! Once again, books arts provide for personal expression. The sheet was calling my name.

Isaac Newton was a professor at Cambridge University, England. His mathematical research was so advanced that few could understand what he was doing and he often lectured to an empty lecture hall. He also understood that light was “Physics” and proceeded to separate white light into a color spectrum using a prism. He then developed the color wheel; this discovery and publication in the sciences changed the world of ART. Never mind that he is considered the father of calculus (with a nod to Archimedes and Leibniz). You can read about his discovery at this “colorful” web exhibit.

The Italian papers served as section covers. I’d never thought about using paper with such large images because so much of the print wasn’t used (my linear side again) but Margo spent time discussing the interplay of parts of images and the importance of considering how adjacent section covers could play off of each other. The result was just wonderful.

Windows Reveal the Color Spectrum

Windows Reveal the Color Spectrum

The Tacket Binding provides a wonderful opportunity to use different colors and mine are mimic the color spectrum on the cover. I absolutely love this stitch. The cover is made from Khadi paper, the cover liner and portions of the text block are Japanese Shin paper, I used waxed linen thread for the binding.

Inside Front Cover: Flap, End Paper, Section Cover.

Inside Front Cover: Flap, End Paper, Section Cover.

Inside Binding. You can see the colors used in this section.

Inside Binding. You can see the colors used in this section.

Adjacent Section Covers

Adjacent Section Covers

Adjacent Section Covers

Adjacent Section Covers

We also made a two section book and used another variation of the Tacket Binding.

Three Colors

Three Colors

Inside a Section

Inside a Section

This variation has  many tie offs inside the section. Each bar on the outside of the spine requires a separate piece. While the inside looks a bit untidy, it’s worth it for the colorful possibilities for the spine.

So, with that, I plan on continuing to work on my “Science” Color Wheel book. I’m so happy with the way it turned out and very grateful for the number of people who marched for Science on April 22 in Arcata, California.

 

 

Journals purchased from Eureka Books

Journals purchased from Eureka Books

I have to confess—I love these purchased journals. I buy them locally and use them for keeping a record of the details of each of my book projects. I love that the cover and pages can completely fold around the book so that I don’t lose precious space on my already overburdened work surface. My daughter gave me the Algebra 2 book in honor of my 25 years of teaching mathematics and I’ve been hooked ever since. There is an ample supply of these repurposed books at Eureka Books and I was hoping to find one that could be used for my historical research. Alas, I didn’t find a cover or a size that I liked. Hmmm. I remembered that I have a Zutter I’ve never used and thought I’d best try to use this instrument (and assuage some guilt—I’ve had it for several years).  The process was very interesting and involved a little mathematics to make things work out but I’m really pleased with the results.

First Zutter Book

First Zutter Book

I have quite a collection of books with interesting covers and this one was perfect for researching Humboldt Count history, don’t you think?

Original Endpapers

Original Endpapers

Original Pages

Original Pages

I used Strathmore 300 Drawing Paper for the blank pages and I scattered some of the interesting pages from the book throughout the journal. I had to use a different punching pattern on the pages and covers but managed to work it out. I don’t like the extra holes at the bottom but I didn’t want to spend the time to figure out how to avoid them. I also added more pages than the spiral wanted so I will take some out. PS. This is NOT cost effective—they are only about $15 to purchase—but I smile every time I use it.

After my OLLI Book Arts classes I like to meet with students the following week to check on their finished books. At this point we are all teachers because we’ve figured out some things and discovered other possibilities. We gather around a little table in Humboldt’s Coffee and Chocolate in Old Town Eureka, and enjoy the artist exchange in what can be a sunny location (we are getting there!). These are the books that were shared and thank you all so very much!

Buttonhole Five

From left to right: Charlene is ready to sew, Pat’s triangle opening is beautifully sewn, Edge decided to sew the middle section trying a Buttonhole Stitch rather than a longstitch, Donna used a bowtie to pull threads together and she added beads, and Dolly is ready to sew. In class I demonstrated a simple rectangular opening so they all headed off on an adventure with their books.

Buttonhole

Denise had seen this beautiful paper at the Art Center in Arcata and when she finished her first sample book she knew she had to go back and purchase this paper for her second book. She also did a very nice job of covering the inside of the book with a single sheet of paper! She’s very pleased!

Buttonhole inside

A group of local book art lovers finished an OLLI class last week and created some beautiful model books in preparation for their final book. Some had never made a book and I don’t think any had sewn the buttonhole stitch so there was a lot to learn.


The model had paper covers but the second book will have board covers and they chose the design for the spine openings.


The following photos are a review of the start of the buttonhole stitch. (Ignore the slit in the spine as I will unpick the demo and do the final sewing through the slit)

1) Insert the needle and thread into the valley of the leftmost section. Pull the thread through leaving a tail of about 3 inches. Pull the thread straight up and wrap over the top of the section to the inside.


2) Tie off near the original hole and then enter that same hole with the needle and thread.


3) Pull the needle and thread through and pull the thread behind the first vertical stitch, right to left.


4) Pull the thread through and over to the next section on the right. Enter the hole.


5) Pull the thread through leaving a bit of a loop in the thread exiting the first hole; come up underneath and through this loop and cross over the top of the thread before entering the next hole.



6) To finish off this stitch pull the loop snug before pulling the thread completely through the next hole in the next section to the right. Repeat these steps until the last section and after looping over the top of the last section re-enter the hole and tie off inside.

Hope this makes sense!

Please join me along with the OLLI Book Arts community as we make this fun little book. Students will pick one of the many variations available using this structure –  from beginning to more advanced choices! Show off some of your hand decorated papers from your collection and choose papers for writing, drawing, or watercolor.

OLLI HUMBOLDT STATE, SPRING 2017

Book Arts: The Buttonhole Stitch Book With Michele Olsen

Embroiderers use the buttonhole stitch to decorate fabric; book artists use it to attach pages to the book spine. The technique results in a open spine structure that reveals individual sections and provides many creative possibilities for the paper artist and book designer. We will explore variations of the structure — beginning to more advanced. All levels welcome.

Day & Date: Tues., March 28 & Thurs., March 30

Time: 1-4 p.m.

Fee: OLLI Members $65

Class #: 27649: REGISTER ONLINE

Location: Humboldt Bay Aquatic Center

When I headed to Nebraska this Fall I had already committed to making a book for the Humboldt County Library Foundation auction to be held December 5 at the Ingomar Club in Eureka, California. I had an idea of what I wanted to make and I brought an abundance of materials along so that I could have choices. I love working in my studio in rural Nebraska; I’ve  done some of my most creative work isolated from people, phones, and internet. I had almost completed the book when I discovered that one of my favorite artists Karen Kunc was offering a class in boxmaking in Lincoln, Nebraska, and this was no ordinary box! I was thrilled to take yet another class from such a talented artist and teacher. So. I built a box for the book.


The Coptic bound book is made from old growth redwood boards rescued from the 1905 carriage house of Liz Murguia, president of the library foundation board. The apple twigs come from a 50 year old Gravenstein apple tree belonging to Sara Traphagen, vice-president of the library foundation board. The book structure was inspired by another wonderful book artist and teacher Margo Klass.


The thread is heavy natural flax, the pebble comes from the Mad River Beach, and the sections inside were constructed  from German Ingres paper wrapped in eco-dyed papers.


The clamshell box is covered with linen book cloth with recessed niches for eco-dyed papers on the front and spine.


When the book and platform are removed a tray is revealed which can also be removed. Whoever wins the bid on this can write in the journal and store their treasures in the tray. This is a fairly large box (9″ x 7″ x 4.5″) and I have plans to make a series of smaller ones. I’m always surprised by the completed project as I never know what I will create when I start out. I love the mathematical and logical ways of putting things together but it’s the unpredictability of the artistic opportunities that are the most exciting. Here is hoping that the auction brings in lots of money to support the purchase of non-fiction books for children – this year’s project.

It was my sincere honor to be part of a reception for Terry Tempest Williams, June 6th, 2016, to celebrate the publication of her new book The Hour of Land: A Personal Topography of America’s National Parks and the debut of the special limited edition, Canyonlands National Park. I’ve been a fan of Terry’s since reading Refuge: An Unnatural History of Family and Place in the 1990’s; I don’t know how many copies I’ve given away but the most recent gift was given in February. Little did Terry know that she was about to receive a handmade book with black walnut covers and Eco dyed endpapers using sagebrush from her beloved Castle Valley, Utah. I was blessed enough to be the book artist who designed and assembled the book. I will devote another post to the creation of this book – a story in itself. For now, enjoy some of the photos from this event and then run to your nearest bookstore and buy a book, any book, by this remarkable woman.


Terry’s first look at the handmade book. Bill  Hedden, on the left, provided the black walnut covers. Andy Nettell, on the right, is the owner of Back of Beyond Books, Moab, Utah. Andy organized the reception and readings that evening. He also commissioned the three handmade books. One is for Terry, one Andy’s collection, and one for the Yale University Library that holds Terry’s papers.


Two true book lovers. One makes books and one writes them.


After many email messages over the last months I finally get to meet Bill Hedden who created the beautiful black walnut covers. The story of this wood will be included in the next post. Bill is the executive director of the Grand Canyon Trust.


Andy Nettell, owner of the my favorite bookstore in the West, Back of Beyond Books. He is an antiquarian book dealer who specializes in regional and natural history titles of the Colorado Plateau. Want a first edition of Edward Abbey’s Monkey Wrench Gang? He’s got it.


These special people were also at the reception. My husband, Rollie Lamberson, is on the left and he provided the finish for the covers. Our daughter and son-in-law, Laurie and Brian Evans, are in the center; they were the plant collectors for the vegetation I used for dyeing endpapers. Jen Jones is on the right and best friend of Laurie. Jen is a graduate of Humboldt State University!

Hour of Land and Canyonlands.

Commissioned book: Bradel binding, black walnut covers, black goatskin spine, Eco dyed papers with black walnut leaves and sagebrush on Japanese Nishinouchi handmade paper.

Next Post: Evolution of a Book